Watch: Radha Yadav’s brilliant reflex catch to dismiss Harmanpreet Kaur in Women’s Big Bash League.‘Your English in Marathi accent is so sexy’: The popular video trend continues with a new version.In pictures: Fans mourn actor Puneeth Rajkumar’s death in Bengaluru.
#BYOMKESH BAKSHI MOVIES MOVIE#
‘Dybbuk’ review: A dispirited remake of the Malayalam movie ‘Ezra’.French Open badminton, semifinal as it happened: Sindhu bows out in three games.‘Call My Agent: Bollywood’ review: Just say ‘non’.Parasitic wasps have saved millions of human lives by turning other insects into ‘zombies’.How Kamala Harris’s mother Shyamala Gopalan arrived in Berkeley in America all the way from Calcutta.Was this the ‘Ambani’ deal that Satyapal Malik said he cancelled as governor of Jammu and Kashmir?.Trailer Review: Thalaivi – Strong dialogues and powerful performances.Oh and I’m calling dibs on being your foremost fan! After the magic of Khosla Ka Ghosla, Oye Lucky Lucky Oye, Bombay Talkies and Shanghai, I can’t wait for part 2, Dibakar. Once the end unfolds and you are sitting in the theatre hall collecting pieces of a mind blown away, you realize Byomkesh Bakshy couldn’t have asked for a more potent nemesis and Indian cinema a more sparkling auteur than Dibakar Banerjee. The climax of Detective Byomkesh Bakshy is all Neeraj Kabi and his powerful histrionics, understated and mellow in parts and boisterous and larger-than-life in the others. You spend the entire movie thinking where was this gem of an actor all this while and then you throw a silent praise to the lords for Anand Gandhi having cast him in Ship of Theseus and for Dibarkar Banerjee casting him in a role that you would’ve never envisioned him play in your wildest dreams. Kabi’s Anukool Guha, is everything you wish for in an epic cinematic character, one that you take home with you long after the end credits have rolled. Of course, this review will be incomplete without the most glowing praise for Neeraj Kabi (remember the guy who first stumbled into the consciousness of the “intellectual Indian” through Ship of Theseus where he was given some of the most meaty dialogues?). But that’s a separate topic for another day.Įach character does a more than fabulous job of bringing the screenplay alive. If true, then it just goes on to show the proverbial old-world, decadent charm the purists talk of while talking about the City of Joy, the time warp the city is still stuck in, something that some of us Bengalis absolutely loathe. I was told by a good friend that apparently Dibakar shot the entire movie in Calcutta, without creating any artificial sets. A special mention must be made for Honey Trehan whose casting couldn’t be more flawless, something that elevates the otherwise “good script” to higher crests.Īs expected, the art direction and cinematography are pitch-perfect and so are the music and background score, both beautifully indie and adequately adrenalin-rush inducing, all lending beautifully to the charm of Detective Byomkesh Bakshy. Not a man for the usual Bollywood trappings, but you can see his many inspirations in his depiction of the screenplay, the influences drawn largely from Hollywood indie films to Korean cults. What works in Detective Byomkesh Bakshy’s favor is the innate brilliance that director Dibakar Banerjee possesses in bringing stories to life in the most glorious fashion imaginable.
#BYOMKESH BAKSHI MOVIES SERIES#
What follows this crucial first meeting is a macabre series of twists and turns through old Calcutta by-lanes, a seductive actress (Swastika Mukherjee pleasantly surprised to see madam pull off sultry pretty well), a maverick genius (Bhuvan Babu, the missing man), a big politician, his hot-headed nephew hell-bent on starting a new Jai Bengal party to take on the patriarch, the calm, composed niece trying hard to keep the family intact, a British general, a Japanese dentist cum mercenary and an erstwhile Chinese drug-lord out to seek revenge against his old adversary, the one who replaced him as Calcutta’s undisputed Opium king. Guha, evident from his introductory scene, is a man as perceptive, witty and intelligent as Byomkesh. Anukool Guha (Neeraj Kabi in a performance that puts him in the top contender for every award this country religiously follows) and inhabited by a seemingly motley crew of average blokes (notable ones being a legal opium trader in China Town, a middle-aged accountant and the caretaker Puntiraam, a character you take home with you because of its sheer eccentricity). Byomkesh’s initial questionings and snooping lead him to Bhuvan Babu’s last abode, a no-frills boarding lodge run by Dr. One knows from the very start that this is not a simple case of an old Bengali man going missing.